Dropping In on Dropping Out
- Is the pull of like minds stronger than the pull of opposing philosophies?
- Is it better to live where nature aids and abets indolence, or where nature challenges the slightest slip with probable death?
- What is the meaning of 'free love' in the face of personal aversion?
- When the man who wants you dead is at your mercy, then....?
The great thing about a good book is the virtual impossibility of touching on all its high points in one review, and that's definitely the case with T.C. Boyle's Drop City. It's a fascinating read for myriad reasons, not the least of which is the writer's obvious intimate personal knowledge of the two worlds he explores, first separately and then (incongruously but with significant and successful effect) conjoined: the doped-up, dropped-out, free-love hippies of Northern California, and the hunter/gatherer, cabin-dwelling, survivalist frontiersmen of the Alaskan outback. Both sets of protagonists choose to leave 'straight' life behind, but their similarities, at least on the face of it, end there.
Boyle's decision to narrate through six different points of view adds important detail and texture to his tale and assists in the build-up to a startling (and literal) conflagration that resolves the bitterest, but by no means only inter-character strife.
The first folk to walk off the page are hippies in the Californian commune of the title. Star is a former elementary school teacher turned stoner free-loving hippie-chick; Ronnie is her early companion in the escape from the straight life and erstwhile hippie-cum-survivalist who tries and fails to find his place in both worlds; and Marco is a draft-dodger whose early love affair with drugs-n-rock has settled, as he approaches maturity, into cynicism, resignation, and a certain reluctance to become involved.
There's an equally multidimensional triad on the frontier side: Sess, a seasoned woodsman and furrier whose primary residence is located three wave-tossed hours from any other human; Joe, a bush pilot and former Marine whose enmity with Sess ratchets from dour pranksterism to out-and-out blood strife; and Pamela, a self-sufficient Alaskan weary of life in Anchorage and seeking a mate who'll rescue her from the stifling city grind.
When Star, Ronnie and Marco's commune falls afoul of law-and-order and faces imminent bulldozing, their leader brandishes a fortuitous letter from his uncle, a recent retiree from the frontier. Piling into an old school bus topped precariously by all their luggage and an improvised goat pen, the hippies begin a trek that eventually brings them to the uncle's claim, some miles upstream from Sess's homestead. The mosquitoes are bad, but far worse is the prospect of erecting outbuildings without the aid of either sufficient hash or power to blare their accustomed 24-hour rock-n-roll. Then a wolverine gets into the goats, and the seriousness of their predicament starts to dawn.
Meanwhile Pamela, entering into her long-dreamed-of future as a frontier wife, has begun to understand more about Sess, her chosen mate. The sex is highly satisfactory and the hard work rewarding, but she only realizes the depths to which his feud with Joe has fallen when he guns Joe's exotic roadster into the river. In revenge, Joe strafes their canoe as they desperately attempt to out-paddle an ice storm.
The twists and turns of plot and personality make Boyle's work a riveting read, but what renders it great are the underlying lessons and questions about personal choice, response to adversity, and the universality of both violence and love.
If, like me, you find yourself with a warm fireside and a drippy, cold, late-spring snow outdoors, this is the perfect foil. But do lay on the extra blanket before you begin, 'cause this is not one that warms the cockles of the soul!
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